Abstract
| Original language | English |
|---|---|
| Title of host publication | Jim Crace: Into the Wilderness |
| Editors | Kate Aughterson, Katy Shaw |
| Place of Publication | London |
| Publisher | Palgrave |
| ISBN (Print) | 0 |
| Publication status | Published - 1 Oct 2018 |
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Absented Women’s Voices: Problematising Masculinity in Jim Crace’s Fiction. / Aughterson, Kate.
Jim Crace: Into the Wilderness. ed. / Kate Aughterson; Katy Shaw. London : Palgrave, 2018.Research output: Chapter in Book/Conference proceeding with ISSN or ISBN › Chapter › Research
TY - CHAP
T1 - Absented Women’s Voices: Problematising Masculinity in Jim Crace’s Fiction
AU - Aughterson, Kate
PY - 2018/10/1
Y1 - 2018/10/1
N2 - Absented Women’s Voices: Problematising Masculinity in Jim Crace’s Fiction Kate Aughterson (University of Brighton) Kristeva’s formulation of Semiotic - the silent rhythmic undercurrents and disruptions to the dominant Symbolic order which dislocate narrative and (gendered) subjects - act as an intertext to Crace’s narratives. Narrative dis-location is central to Crace’s work. Kristeva’s poetics offer a way of seeing how Crace’s narrative gaps and silences function as self-conscious rhetorical and narratorial strategies to offer up spaces for ‘other’ identities. Through narrative sleigh-of-hand, partial focalisations, lacunae, slippery semantics and shifting grammatical tenses Crace disturbs the microcosmic worlds his (male) narrators create. The absence of female voices (dead wives, desired woman, the young girl violated) is key to Crace’s cumulatively semiotic rhetorical technique: a blank space - an ‘other’ – a rich silence on which the reader writes alternative histories and stories.
AB - Absented Women’s Voices: Problematising Masculinity in Jim Crace’s Fiction Kate Aughterson (University of Brighton) Kristeva’s formulation of Semiotic - the silent rhythmic undercurrents and disruptions to the dominant Symbolic order which dislocate narrative and (gendered) subjects - act as an intertext to Crace’s narratives. Narrative dis-location is central to Crace’s work. Kristeva’s poetics offer a way of seeing how Crace’s narrative gaps and silences function as self-conscious rhetorical and narratorial strategies to offer up spaces for ‘other’ identities. Through narrative sleigh-of-hand, partial focalisations, lacunae, slippery semantics and shifting grammatical tenses Crace disturbs the microcosmic worlds his (male) narrators create. The absence of female voices (dead wives, desired woman, the young girl violated) is key to Crace’s cumulatively semiotic rhetorical technique: a blank space - an ‘other’ – a rich silence on which the reader writes alternative histories and stories.
M3 - Chapter
SN - 0
BT - Jim Crace: Into the Wilderness
A2 - Aughterson, Kate
A2 - Shaw, Katy
PB - Palgrave
CY - London
ER -