A Closed Circle of Deckchairs: The Great British Seaside

Research output: Contribution to journalArticleResearch

Abstract

A 1000-word commissioned review of the 2018 photographic exhibition at the National Maritime Museum, London: The Great British Seaside. The article examines insularity and outlook in representations of national coastal leisure, presented in the show through four interlocking photographic points of view. The article is one of a series by Pollen for Source: The Photographic Review since 2012, covering photography in film and exhibition as well as in art and academic publications.
Original languageEnglish
Pages (from-to)50-51
Number of pages2
JournalSource: The Photographic Review
Issue number94
Publication statusPublished - 1 Aug 2018

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Seaside
Art
Photography
Coast
Pollen
Insularity
National Maritime Museum
Leisure

Cite this

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title = "A Closed Circle of Deckchairs: The Great British Seaside",
abstract = "A 1000-word commissioned review of the 2018 photographic exhibition at the National Maritime Museum, London: The Great British Seaside. The article examines insularity and outlook in representations of national coastal leisure, presented in the show through four interlocking photographic points of view. The article is one of a series by Pollen for Source: The Photographic Review since 2012, covering photography in film and exhibition as well as in art and academic publications.",
author = "Annebella Pollen",
year = "2018",
month = "8",
day = "1",
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A Closed Circle of Deckchairs : The Great British Seaside. / Pollen, Annebella.

No. 94, 01.08.2018, p. 50-51.

Research output: Contribution to journalArticleResearch

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AB - A 1000-word commissioned review of the 2018 photographic exhibition at the National Maritime Museum, London: The Great British Seaside. The article examines insularity and outlook in representations of national coastal leisure, presented in the show through four interlocking photographic points of view. The article is one of a series by Pollen for Source: The Photographic Review since 2012, covering photography in film and exhibition as well as in art and academic publications.

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