Research Output per year
Zeina’s research investigates the intersections of visual culture, design and political conflict, with a particular attention on Lebanon and the Arab world. Her work is historically focused on post-1945 struggles for decolonization, transnational anti-imperialist solidarities and violent conflicts, as complicated by a global Cold War order. She approaches the Middle East less as a discrete area study but rather as a political geography interconnected with global conditions of modernity, (post)coloniality, war and conflict.
Zeina Maasri joined the University of Brighton as a lecturer in Critical History and Politics in 2018. As a cultural historian whose emphasis is on global and postcolonial perspectives on visual culture and politics in the Middle East, her appointment strengthens transdisciplinary research; diversifies teaching provision in the School of Humanities; and fosters cross-disciplinary co-operation across three research centers in the Humanities (CMNH, CAPPE, CDH).
Before taking up her post at Brighton, Zeina was both a successful graphic designer and an academic at the American University of Beirut (1999 – 2016) in Lebanon. Both her teaching and research has long focused on the political and critical dimensions of aesthetic practices; visual activism and critical mapping; art/design history and theory; and cultural studies. She recently opted to consolidate her scholarly pursuit; hence her relocation to undertake a fully-funded PhD degree in the UK which she successfully completed in 2017.
She is the author of Off the Wall: Political Posters of the Lebanese Civil War (IB Tauris 2009), now in its third reprint, and curator of related travelling exhibitions and an online archival resource (www.signsofconflict.org). The project has won six funding awards; and the book has been widely recognized by peers as a pioneering study.
She is currently finishing a new book that examines transnational circuits of visuality in the Arab ‘long’ 1960s, entitled ‘Radical Cosmopolitanism: Beirut in the Global Sixties’ (forthcoming with Cambridge University Press).
Among other publications, Zeina is co-editor with Karl Bassil, Akram Zaatari and Walid Raad of Mapping Sitting: On Portraiture and Photography (Beirut: Arab Image Foundation and Mind the Gap, 2002; 2005) and with Anja Lutz of Greetings From Beirut (Berlin: Shift!2003). She was art director and member of the editorial board of Zawaya, a periodical on emerging cultural production in the Arab World (Beirut 2001–2007). As a graphic designer, Zeina has been engaged in activist mapping projects.
Her creative practice has been widely recognized, published and exhibited in different international venues: for example, she was awarded “Un des plus beaux Livres Suisses 2005” ) for the design of Territoire Méditerranée, with Mathieu Christe (Geneva 2004).
Zeina is interested in supervising postgraduate and doctoral study in any of the following areas of research and their intersections: visual and cultural studies; global modernism in art and design history; modern Middle Eastern studies; cultural histories of war and political conflict; anticolonial and anti-imperialist cultures of resistance.
PhD, University of Brighton
Associate Professor, American University of Beirut1999 → 2016
Research output: Book/Report › Book - authored › Research › peer-review
Hala Auji. Printing Arab Modernity: Book Culture and The American Press in Nineteenth-Century Beirut, Brill, 2016Maasri, Z., 29 Jan 2018, In : Journal of design history. 31, 1, p. 112–113
Research output: Contribution to journal › Book Review › Research › peer-review
Research output: Chapter in Book/Conference proceeding with ISSN or ISBN › Conference contribution with ISSN or ISBN › Research › peer-review
Research output: Chapter in Book/Conference proceeding with ISSN or ISBN › Chapter › Research › peer-review
Activities per year
Activity: Events › Conference
Activity: Events › Conference