Hannah Rumball is an academic working across a range of interests in dress history and material culture.

Her research areas include nineteenth and early twentieth century women's dress, with a particular specialism in Quaker Plain dress and its fashionable adaptation. Her research has a particular focus on object analysis and has taken her to museums and collections across the country. There she has read, used and analysed archival material in both tangible and digitised formats, varying from exquisite fragile garments from the eighteenth and nineteenth centuries, to Quaker religious manuscripts from the seventeenth century.

Other areas of interest for Hannah include suffrage dress, nineteenth century dress reform, Herstories, feminism and feminist readings of history, and the relationship between dress and religion with a particular focus on protestant readings of Scripture.

During the summer of 2018, Hannah visited Uganda where she undertook research into local textiles with a particular focus on the production of bark cloth in Masaka, a traditional region of its production. She has donated examples of these studied Ugandan textiles to the University of Brighton Dress History Teaching Collection to further the University’s repository of international textiles, and to broaden the scope of source material available to the student cohort for inspiration and study.

Hannah was awarded her PhD in material culture, dress history and Quakerism, from the University of Brighton in 2016. Her doctoral subject was conceived independently, after having completed an AHRC fully-funded Masters by Research at Kingston University on the subject of the prescriptions of Quaker dress. Subsequent consultations with appropriate academics at the RCA, Kingston and Brighton University, as well as independent scholars, ensured the creative and innovative quality of her proposal and illustrates Hannah’s strong cross-discipline collaborative ability. Both the RCA and University of Brighton accepted her proposal, with University of Brighton awarding her a fully-funded studentship position to undertake the doctoral project.

Hannah teaches on, and is coordinator for, Critical Studies on the BA (Hons) Fashion Business, BA (Hons) Textiles and Business and BA (Hons) Fashion Communication and Business. She is a member of the university's Objects Unwrapped Research Group; the Association of Dress Historians; DATS; The Costume Society and the Quaker Studies Group at the Religious Society of Friends, London.