Ceren Ozpinar

Dr Ceren Özpınar is a historian specialising in art, visual culture, historiography and exhibitions in the 20th and 21st centuries. Her research focuses on the relationship between gender, identity, community, and art since 1960 with a special focus on Turkey, the Middle East, and their diasporas. Ceren's research interests lie in three key areas: Revisiting art histories; investigating transnational feminist alliances; and an examination of curatorial strategies and discourses of large-scale exhibitions, such as retrospectives and biennials, in the Global South.

Ceren's research has been supported externally by the British Academy, College Art Association (CAA), the Getty Foundation, Association for Art History (AAH), and the Turkish Research Council (TUBITAK).

In 2025, Ceren was selected for the University of Brighton's prestigious Vice Chancellor's Future Research and Knowledge Exchange Leaders Programme, an initiative designed to develop the next generation of world-leading researchers. In 2023, Ceren was awarded the Kickstart Fund, which provided her with the much-needed teaching relief to complete her second monograph. In 2020, she was awarded another research award by the University of Brighton, a Rising Star, for her project "Where Matter Meets Memory: Alternative Political Futures in Kurdish Art Today.” Ceren's project investigated creative works produced within the diasporic Kurdish communities. 

Publications

Ceren's latest book, which is her second monograph, Art, Feminism, and Community: Feminist Art Histories from Turkey, 1973-1998, is published in November 2024 with Oxford University Press. This book has been supported by the Association for Art History, the British Academy, and Brighton's Centre for Design History. It investigates the relationship between art history, women-identifying artists, and their lives and communities, building on her Newton research project entitled "Re-visiting Feminist Temporalities in Art and Art History in Turkey from the 1970s onwards" (2015-17). Read a 5-star review of this book in The Burlington Magazine.

Her co-edited volume titled Under The Skin: Feminist Art and Art Histories from The Middle East and North Africa Today, was published by Oxford University Press and The British Academy in 2020 (read the reviews in Oxford Art Journal, Third Text and Woman's Art Journal). Her first monograph The Art Historiography in Turkey (1970-2010), which stemmed from her doctoral thesis, was published in 2016 by the History Foundation (Tarih Vakfi) Press.

Ceren's latest articles appeared in the Art Journal, Art in Translation, Art & the Public Sphere, and Third Text. She wrote several essays for edited volumes and special issues on invitation, including Image & Text (ed. Schmahmann), A Companion to Contemporary Art in a Global Framework (eds. Jones & Davidson), and Transnational Perspectives on Feminism and Art, 1960-1985 (eds. Kennedy, Szymanek & Mallory).

Dr Ceren Özpınar is Senior Lecturer in Art History and Visual Culture. She has taught in the areas of art and cultural history, critical studies, art management and visual culture since 2008. Before coming to Brighton, she held post- and pre-doctoral fellowships: a British Academy Newton International Fellowship at the University of Sussex (2015-17), and a Visiting Research Fellowship at the University of Leeds (2013-14). Ceren completed her PhD in History of Art at Istanbul Technical University in 2015. She also holds an MA in Fashion and Textile Design and a BA in Art Management with Curating. 

At Brighton, she has taught on art history and visual culture courses since 2017. She teaches across core modules and has delivered specialist modules including Sexual Politics: Art and Feminism, Understanding Exhibitions and Creating Displays, and Gender and Sexuality in Art and Visual Culture. Ceren also taught Historical and Critical Studies to BA (Hons) Painting, BA (Hons) Sculpture, BA (Hons) Critical Practice and BA (Hons) Printmaking between 2017 and 2021. Before this, Ceren had a stellar career as a lecturer in Istanbul, Turkey, teaching at prestigious universities such as Bilgi and Kadir Has. 

Ceren is Senior Fellow of the Advance HE (SFHEA). She achieved her PGCert in Teaching & Learning in Higher Education in 2020. Her pedagogical approach and teaching leadership have been informed by her extensive teaching experience and commitment to intersectional approaches across race, class, disability, and gender within HE contexts. She has served as Course Leader for BA (Hons) Art History and Visual Culture since 2021. She currently sits on the School of Humanities and Social Science's Tier 1 Ethics Committee and the EDI/Athena Swan Committee. She previously sat on the University's Cross-School Research Ethics Committee (2022-25), and co-led Research Mentoring activity in her school (2022-24). Ceren developed and evaluated the research mentoring programme to ensure that it was wide-reaching and inclusive, whilst representing the School on the University Research Mentoring Group. 

Ceren sits on the Editorial Board of Art History (2025-) and Feminist Art Practices and Research: Cosmos (2025-). She is Advisory Board member for the Art in Translation journal (2026-), Sheikh Zayed Visual Arts Series at American University of Beirut Press (2024-), and  Manazir (2023-), a peer-reviewed journal and online platform for the study of visual arts, architecture and heritage in the Middle East and North Africa. Ceren also sits on Association for Art History's Higher Education Committee (2024-).

She serves as a consultant to international art institutions, most recently advising the Istanbul Foundation for Culture and Arts on the Türkiye Pavilion at the Venice Biennial (2025-26). She has advised the Paris-based AWARE (Archives of Women Artists Research and Exhibitions) since 2020, and led a team of researchers that contribute biographies of women artists from the Middle East to their online database.

Ceren is an expert evaluator for the European Commission's Horizon 2020, and a reviewer for the British Academy, the British Institute at Ankara, the Social Sciences and Humanities Research Council of Canada (SSHRC), and the AHRC-Techne Peer Review College. She regularly undertakes peer reviews for journals including Art History, Art in Translation, Journal of the Middle East Women's Studies, Manazir, Visual Studies, Woman's Art Journal, and World Art; and publishers including Edinburgh University Press, Bloomsbury Academic, and University of California Press. 

Ceren welcomes media requests. Check out her latest press appearance in the Apollo Art Magazine, and her latest co-authored article on Burlington Contemporary.

Dr Ceren Özpınar has supervised two PhDs to completion, and currently supervises four PhD students at Brighton (including two funded by AHRC-Techne) and one at the Middle East Technical University in Ankara, who work on subjects in lesser-known women artists and designers in the 20th century, feminism in the museum, representation of lesbian lives in collections, and transnational art and design practices. She also worked with colleagues at IMT Lucca in Italy to supervise a PhD project on contemporary textile art practices and memory in Turkey. She has examined one PhD to date.

Ceren would be interested in supervising PhD projects on feminist and queer approaches to art; transnational art histories; narratives of difference; memory and materiality. She would also welcome proposals interested in researching any aspect of the project of decolonising the history of art and exhibitions, particularly but not exclusively, in the Mediterranean, Middle Eastern and North African geographies.

Ceren also hosts visiting doctoral and postdoctoral researchers on a regular basis. If you are working on a PhD project at another institution related to her research expertise and would like to be supervised by her at Brighton for a short period (up to a year), feel free to contact her. If you are of postdoctoral status and would like to be mentored by her at Brighton, please see the opportunities annually advertised by the Centre for Design History.